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All drawings here reproduced are in pen and ink, unless otherwise stated. The reproductions are of the exact size of the originals, except that Plates LXVI, XCVIII, CVII, CIX, CXI No. 1, CXII, CXIII, CXIV, CXVI, CXVII, CXVIII and CXXII are reduced, and Plate CXIX enlarged. Plate LXV is the frontispiece; Plate LXVI is on p. 134; Plates LXVII--XCVI follow p. 134; Plate XCVII is on p. 312; Plates XCVIII--CXXII follow p. 312.
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Two preparatory Studies for the Sforza Monument; from the Royal Library, Windsor Castle: No. 1 drawn with the pen, No. 2 drawn with the silverpoint on bluish tinted paper |
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Study for the Sforza Monument; from the Royal Library, Windsor Castle |
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Fragment of Drawing, representing a walking Horse; from the Ambrosian Library, Milan | |
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Study for the Sforza Monument, drawn with the silverpoint on bluish tinted paper; from the Royal Library, Windsor Castle |
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Study for the Sforza Monument; charcoal drawing on brown paper; from the Royal Library, Windsor Castle |
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Study for the Sforza Monument, drawn in charcoal and with the pen and Indian ink; from the Royal Library, Windsor Castle |
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Study for the Sforza Monument, drawn with charcoal; from the Royal Library, Windsor Castle |
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Study for the Sforza Monument, at first drawn with charcoal and afterwards with the pen; from the Royal Library, Windsor Castle |
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Drawing of a walking Horse, and two studies for the Sforza Monument; from the Royal Library, Windsor Castle |
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Study for the Sforza Monument, drawn with charcoal; from the Royal Library, Windsor Castle |
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Study for the Sforza Monument, at first drawn with red chalk and afterwards with the pen; from the Royal Library, Windsor Castle |
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Study for the Sforza Monument; from the Royal Library, Windsor Castle--see text No. 711 |
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Two Drawings: No. 1 Study for the Sforza Monument; drawn in red chalk,--see text No. 712--(from the Codex Atlanticus, Milan); No. 2 Drawing of instruments for the mint of Rome,--see text No. 726--; from Manuscript G, Institut de France, Paris |
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Sketch of a walking Horse, and two studies for casting the figure of a horse, from the Royal Library, Windsor Castle on page | |
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Two Drawings of Plans for Towns; from Manuscript B, Institut de France, Paris--see text Nos. 741, 742 and 743 |
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Two Architectural Drawings, from Manuscript B, Institut de France, Paris: No. 1 representing a stable--see text No. 761--; No. 2 drawing of Plans for Towns |
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Two Plans for Canals in a Town; from Manuscript B, Institut de France, Paris--see text Nos. 745 and 746 |
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Four Drawings of Architecture for Castles: No. 1 from the Vallardi Volume, in the Louvre, Paris; Nos. 2 and 3 from Manuscript B, Institut de France, Paris; No. 4 from the Royal Library, Windsor Castle; and one Drawing of Ecclesiastical Architecture: No. 5, from Manuscript B, Institut de France, Paris |
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Two Architectural Drawings: No. 1 a sketch for Decorations, from the Trivulzi Manuscript, Milan; No. 2 Plan for a Royal residence; from the Codex Atlanticus, Milan--see text No. 748 |
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Four Drawings of projects for Castles and Villas; Nos. 1 and 4 from the Codex Atlanticus, Milan; No. 2 from Manuscript K3--see text No. 749--, and No. 3--see text No. 750--from Manuscript B, Institut de France, Paris |
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Drawing of Plans for a Castle, and of a Nude Figure, washed with Indian ink; from the Royal Library, Windsor Castle--see text No. 1103 |
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Drawing of Ecclesiastical Architecture, from the Codex Atlanticus, Milan |
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Five Architectural Drawings: Nos. 1-12 from the Ashburnham Manuscript II; No. 13 from Manuscript I2, and No. 16 from Manuscript H3, Institut de France, Paris--see text No. 768--; Nos. 14-16 (Nos. 14 and 16 in red chalk) from the Manuscripts III and IP, South Kensington Museum, London--see text No. 768 |
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Drawing of Ecclesiastical Architecture; from the Codex Atlanticus, Milan |
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Four Drawings of Ecclesiastical Architecture: No. 1 from the Codex Atlanticus, Milan; No. 2--see text No. 755--, 3 and 4 from Manuscript B, Institut de France, Paris |
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Three Plans of Churches: Fig. 1 from the Royal Library, Windsor Castle; Nos. 2 and 3 from Manuscript B, Institut de France, Paris on page | |
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Two Drawings from Manuscript B, Institut de France, Paris: Nos. 1-4 Plans of Churches; Nos. 6, 7 Plan of Pavilion at Milan--see text No. 751 |
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Two Plans of Churches from Manuscript B, Institut de France, Paris (fig. 1, 2), and Sketch of a Church, from the Ashburnham Manuscript II (fig. 3) On page | |
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Drawing of Churches, from Manuscript B, Institut de France, Paris |
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Plans of Churches: Fig. 1 and 2 from Manuscript B, Institut de France, Paris; Fig. 3 from the Royal Library, Windsor Castle on page | |
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Drawing of Churches; from Manuscript B, Institut de France, Paris |
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Two Drawings of Churches; from the Ashburnham Manuscript II--see text No. 754 |
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Two Drawings of Churches; from Manuscript B, Institut de France, Paris--see text No. 753 |
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Two Architectural Drawings; from Manuscript B, Institut de France, Paris: No. 1 Pillars and Beams; No. 2 View and Plan of a Church |
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Sketch of the Plan of a Church; from Manuscript B, Institut de France, Paris | |
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Three Drawings of Churches: No. 1 from Manuscript L, and Nos. 2 and 3 from Manuscript B, Institut de France, Paris; No. 34 from the Ambrosian Library, Milan |
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Sketch of a church in the background of Leonardo's unfinished picture of St. Jerome, in the Pinacoteca of the Vatican, Rome | |
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Two Plans of Churches; from Manuscript B, Institut de France, Paris |
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Two Plans of a Theatre for Preaching: Fig. r from Manuscript B, Institut de France, Paris; Fig. 2 from the Ashburnham Manuscript II on page | |
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Two Drawings of Churches: No. 7 from the Codex Atlanticus, Milan; No. 2 from Manuscript B, Institut de France, Paris--see text No. 757 |
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Drawing of Churches; from Manuscript B, Institut de France, Paris |
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Drawing of a Theatre for Preaching; from the Ashburnham Manuscript II | |
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Design far a Mausoleum; from the Vallardi Volume, Louvre, Paris |
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Three Drawings of Milan Cathedral: No. 1 from the Trivulzio Manuscript, Milan--see text No. 758--; No. 2 in red chalk, from Manuscript III, South Kensington Museum, London; No. 3 from the Codex Atlanticus, Milan |
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Two Drawings of Milan Cathedral, from the Trivulzio Manuscript, Milan on page | |
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Sketch of architectural detail, Santa Maria delle Grazie, Milan on page | |
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Five Drawings of Milan Cathedral: No. 1 from the Codex Atlanticus, Milan; Nos. 2-4 from the Trivulzio Manuscript, Milan; No. 5 from Manuscript B, Institut de France, Paris |
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Sketch of a Palace; from the Manzoni Manuscript, Rome on page | |
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Three Sketches of Houses: Fig. 1 and 2 from Manuscript I, Institut de France, Paris; Fig. 3 from the Arundel Manuscript, British Museum . on page | |
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Two Architectural Drawings: No. 1-- see text No. 760--from the Royal Library, Windsor Castle; No. 2 from the Codex Atlanticus, Milan; No. 3 Designs of Fountains, drawn with the pen on bluish paper, from the Royal Library, Windsor Castle |
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Three Architectural Drawings: No. 1 in red chalk, from the Royal Library, Windsor Castle; Nos. 2 (reversed) and 3--see text No. 762--from Manuscript B, Institut de France, Pance |
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Two Drawings of the Base of a Column; from Manuscript III, South Kensington Museum, London on page | |
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Three Architectural Drawings: Nos. 1 and 2 from Manuscript B, Institut de France, Paris; No. 3--see text No. 769--(reversed) from the Codex Atlanticus, Milan |
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Architectural Drawing; from the Arundel Manuscript, British Museum, London--see text No. 770 |
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Two Architectural Drawings; from the Arundel Manuscript, British Museum, London--see text Nos. 771, 775, 778 |
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Architectural Drawing; from the Arundel Manuscript, British Museum, London--see text Nos. 772, 789 |
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Architectural Drawing; from the Codex Atlanticus, Milan on page | |
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Anatomical Drawing, drawn with the pen and washed with Indian ink; from the Royal Library, Windsor Castle |
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Four Anatomical Drawings; No. 1--see text No. 809--and No. 4--see text No. 814--from the Royal Library, Windsor Castle; No. 2--see text No. 824--from Manuscript K3, Institut de France, Paris; No. 3--see text No. 813--from Manuscript III, South Kensington Museum; and an Astronomical Drawing--see text No. 902--from the Leicester Manuscript, Holkam Hall |
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Sketch Map of Milan; from the Codex Atlanticus, Milan--see text No. 1016 |
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Four Topographical Drawings from Manuscripts in the Institut de France, Paris: No. 1 (Constantinopel)--see text No. 109--from Manuscript L; No. 2 (Vigevano)--see text No. 1024--in red chalk, from Manuscript H2; No. 3 (Siena, Urbino)--see text Nos. 765 and 1038--and No. 4 (Cesena) --see text No. 1040--from Manuscript L |
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Two Maps: No. 1 representing the Town of Imola from the Royal Library, Windsor Castle,--see text No. 1051--; No. 2 representing the Mediterranean Sea; from the Codex Atlanticus--see text No. 1092 |
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Coloured Map of part of Tuscany, from the Royal Library, Windsor Castle |
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Coloured Map of part of Central Italy; from the Royal Library, Windsor Castle |
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Coloured Map of the sea shore between Rome and Naples; from the Royal Library, Windsor Castle |
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Sketch Map of the Loire at Amboise; from the Arundel Manuscript, British Museum--see text No. 1074 |
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Sketch of Armenian Mountains; from the Codex Atlanticus, Milan--see text No. 1336 |
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Sketch of Armenian Mountains; from the Codex Atlanticus, Milan,--see text No. 1336 |
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Sketch of a Peak in Armenia, and Sketch Map of Armenia; from the Codex Atlanticus, Milan--see text No. 1336 |
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Sketch Map of Armenia; from the Codex Atlanticus, Milan--see text No. 1336 |
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Drawing of Oriental Heads, in red chalk; from the Royal Library, Turin |
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Drawing of Musical Instruments &c.; from the Arundel Manuscript, British Museum, London--see text Nos. 1129 and 860 |
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Drawing of Caricatures; from the Royal Library, Windsor Castle |
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