Height, 12 5/25 inches; length, 27 20/25 inches.
IN this bas-relief is represented one of the most disgraceful ceremonies of Paganism. Several women are conducting a young girl, whom we may suppose to be newly married, to a Statue of Priapus, and the unfortunate creature is already on the point of making to the marble figure the painful sacrifice of her virginity. She alone, of all the troop, is entirely naked; she bends her head with a confused and sad air, and leans on the shoulder of an aged woman, possibly her mother. Not far off a little girl plays on the double flute to stifle the cries of pain extorted from the victim; farther off an old woman, resting on one knee, looks upon the scene, and appears to grow impatient at the hesitation manifested by the young wife.
We have spoken in our introduction of these abominable sacrifices prevalent in ancient times. We do not consider them less revolting than those which stained with blood the dark thickets in which the Druids celebrated their mysteries. The latter coldly slaughtered men whom society had already doomed to death, extracting absurd presages from the groaning of their entrails and the palpitations of their tortured limbs. The former caused the purest blood of innocent virgins to flow on an obscene marble;
without pity for the cries and torments of the youthful victims, they pitilessly destroyed that magic talisman which makes the married pair who have mingled together their first sentiments of desire, of shame, and of pleasure, so dear to each other.
It may nevertheless be presumed that this impure rite did not long subsist; but we may reasonably suppose that the priests of the false divinities then turned the public credulity to their own advantage, and themselves supplied the place of insensible idols.
In the temple of Isis at Pompeii, on an altar upon which the statue of the goddess was placed, may be seen a hollow pedestal, into which access was had by a concealed staircase, which terminated in the interior dwelling of the priests. It was by this passage that the impostor passed who was entrusted with the task of making the statues speak . . . . . . ab uno disce omnes. 1
21:1 The bas-relief here spoken of is in terra-cotta. It belongs to the cabinet of M. de S. C., who has been obliging enough to communicate it to us. The subject which it represents is repeated in one of the pieces belonging to the collection of the secret cabinet of the Royal Museum of Naples; but the limits within which we have been obliged to confine this work not having allowed us to give both, we have chosen this one as the more complete and ingenious of the two.