The Chaldean Account of Genesis, by George Smith, , at sacred-texts.com
Atarpi.—Sin of the world.—Mother and daughter quarrel.—Zamu.—Punishment of world.—Hea.—Calls his sons.—Orders drought.—Famine.—Building.—Nusku.—Riddle of wise man.—Nature and universal presence of air.—Gods.—Sinuri.—Divining by fracture of reed.—Incantation.—Dream.—Tower of Babel.—Obscurity of legend.—Not noticed by Berosus.—Fragmentary tablet.—Destruction of Tower.—Dispersion.—Locality Babylon.—Birs Nimrud.—Babil.—Assyrian representations.
from the generality of these inscriptions, being very obscure and difficult. In consequence of this and other reasons, I only give an outline of most of the story.
We are first told of a quarrel between a mother and her daughter, and that the mother shuts the door of the house, and turns her daughter adrift. The doings of a man named Zamu have some connection with the affair; and at the close we are told of Atarpi, sometimes called Atarpi-nisi, or Atarpi the "man" who had his couch beside a river, and was pious to the gods, but took no notice of these things. Where the story next opens, the god Elu or Bel calls together an assembly of the gods his sons, and relates to them that he is angry at the sin of the world, stating also that he will bring down upon them disease, poison, and distress. This is followed by the statement that these things came to pass, and Atarpi then invoked the god Hea to remove these evils. Hea answers, and announces his resolve to destroy the people. After this the story reads:
1. Hea called his assembly he said to the gods his sons
2. . . . . . . I made them
3. . . . shall not stretch until before he turns.
4. Their wickedness I am angry at,
5. their punishment shall not be small,
6. I will look to judge the people,
7. in their stomach let food be exhausted,
8. above let Vul drink up his rain,
9. let the lower regions be shut up, and the floods not be carried in the streams,
10. let the ground be hardened which was overflown,
11. let the growth of corn cease, may blackness overspread the fields,
12. let the plowed fields bring forth thorns,
13. may the cultivation be broken up, food not arise and it not produce,
14. may distress be spread over the people,
15. may favour be broken off, and good not be given.
16. He looked also to judge the people,
17. in their stomach food he exhausted,
18. Above Vul drank up his rains,
19. the lower regions were shut up, and floods not carried in the streams,
20. The ground was hardened which had been overflown,
21. the growth of corn ceased, blackness spread over the fields,
22. the plowed fields brought forth thorns, the cultivation was broken up,
23. food did not rise, and it did not produce,
24. distress was spread over the people,
25. favour was broken off, good was not given.
This will serve to show the style of the tablet. The instrument of punishment was apparently a
famine from want of rain, but there are some obscure words even in this passage.
Here the story is again lost, and where it recommences some one is making a speech, directing another person to cut something into portions, and place seven on each side, then to build brickwork round them. After this comes a single fragment, the connection of which with the former part is obscure.
1. I curse the goddess . . . .
2. to her face also . . . .
3. Anu opened his mouth and spake and said to Nusku
4. Nusku open thy gate thy weapons take
5. in the assembly of the great gods the will?
6. their speech?
7. Anu has sent me . . . .
8. your king has sent?
At present no satisfactory story can be made out of the detached fragments of this tablet, but it evidently belongs to the mythical portion of Babylonian history.
The next text is a single fragment, K 2407, belonging to a curious story of a wise man who puts a riddle to the gods.
(Many lines lost.)
1. which in the house is . . . .
2. which in the secret place is . . . .
3. which is in the foundation of the house . . . .
4. which on the floor? of the house stands, which. . . .
5. which in the vicinity . . . .
6. which by the sides of the house goes down . . . .
7. which in the ditch of the house open, lays down. . . .
8. which roars like a bull, which brays like an ass,
9. which flutters like a sail, which bleats like a sheep,
10. which barks like a dog,
11. which growls like a bear,
12. which into the breast of a man enters, which into the breast of a woman enters.
13. Sar-nerra heard the word which the wise son of man
14. asked, and all the gods he sent to:
15. Friends are ye I am unable? . . . . to you
After this there is a mutilated passage containing the names, titles, and actions of the gods who consider the riddle. It is evident that it is air or wind which the wise man means in his riddle, for this is everywhere, and in its sounds imitates the cries of animals.
Next we have another single fragment about a person named Sinuri, who uses a divining rod to ascertain the meaning of a dream.
1. Sinuri with the cut reed pondered . . . .
2. with his right hand he broke it, and Sinuri spake and thus said:
3. Now the plant of Nusku, shrub? of Shamas at thou,
4. Judge, thou judgest (or divinest), divine concerning this dream,
5. which in the evening, at midnight, or in the morning,
6. has come, which thou knowest, but I do not know.
7. If it be good may its good not be lost to me,
8. if it be evil may its evil not happen to me.
There are some more obscure and broken lines, but
no indication as to the story to which it belongs.
One of the most obscure incidents in the Book of Genesis is undoubtedly the building of the Tower of
Click to enlarge
MEN ENGAGED IN BUILDING; FROM BABYLONIAN CYLINDER.
[paragraph continues] Babel. So far as we can judge from the fragments of his copyists, there was no reference to it in the work of Berosus, and early writers had to quote from writers of more than doubtful authority in order to confirm it.
There is also no representation on any of the Babylonian gems which can with any certainty be described as belonging to this story. I have, however,
picked out three from a series of these carvings which I think may be distorted representations of the event. In these and some others of the same sort, figures have their hands on tall piles, as if erecting them; and there is a god always represented
Click to enlarge
MEN ENGAGED IN BUILDING; FROM BABYLONIAN CYLINDER.
near, in much the same attitude. There is no proper proportion between the supposed structure and the men, and I would not urge more than a possible connection with the myth. The utter absence of any allusion to the tower, either in Berosus or the inscriptions, led me to doubt at one time if the story. ever formed part of the Babylonian history.
Early this year I was astonished to find, on having one of the Assyrian fragments cleaned, that it contained a mutilated account of part of the story of the tower. I have since searched through the whole collection, but have been unable to find any more of this tablet, except two minute fragments which add nothing to the text.
It is evident from the wording of the fragment that it was preceded by at least one tablet, describing the sin of the people in building the tower. The fragment preserved belongs to a tablet containing from four to six columns of writing, of which fragments of four remain. The principal part is the beginning of Column I.
1. . . . . them? the father . . . .
2. . . . . of him, his heart was evil,
3. . . . . against the father of all the gods was wicked,
4. . . . of him, his heart was evil,
5. . . . . Babylon brought to subjection,
6. [small] and great he confounded their speech.
7. . . . . Babylon brought to subjection,
8. [small] and great he confounded their speech.
9. their strong place (tower) all the day they founded;
10. to their strong place in the night
11. entirely he made an end.
12. In his anger also word thus he poured out:
13. [to] scatter abroad he set his face
14. he gave this? command, their counsel was confused
15. . . . . the course he broke
16. . . . . fixed the sanctuary
There is a small fragment of Column II., but the connection with Column I. is not apparent.
1. Sar-tul-elli . . . .
2. in front carried Anu . . . .
3. to Bel-sara his father . . . .
4. like his heart also . . . .
5. which carried wisdom . . . .
6. In those days also . . . .
7. he carried him . . . .
8. Nin-kina . . . .
9. My son I rise and . . . .
10. his number(?) . . . .
11. entirely . . . .
There is a third portion on the same tablet belonging to a column on the other side, either the third or the fifth.
Reverse Column III. or V.
1. In . . . .
2. he blew and . . . .
3. for a long time in the cities . . . .
4. Nunanner went . . . .
5. He said, like heaven and earth . . .
6. that path they went . . . .
7. fiercely they approached to the presence . . . .
8. he saw them and the earth . . . .
9. of stopping not . . . .
10. of the gods . . . .
11. the gods looked . . . .
12. violence(?) . . . .
13. Bitterly they wept at Babi . . . .
14. very much they grieved . . . .
15. at their misfortune and . . . .
Click to enlarge
VIEW OF THE BIRS NIMRUD, THE SUPPOSED SITE OF THE TOWER OF BABEL.
These fragments are so remarkable that it is most unfortunate we have not the remainder of the tablet.
In the first part we have the anger of the gods at the sin of the world, the place mentioned being Babylon. The building or work is called tazimat or tazimtu, a word meaning strong, and there is a curious relation, lines 9 to 11, that what they built in the day the god destroyed in the night.
The remainder of the fragment and the two fragments of the other columns agree with the story as far as their mutilated condition allows. The fractured end of the 13th line of the third fragment has the beginning of a name Babi, which may be completed Babil or Babel, but I have not ventured on the restoration. In the case of the 6th and 8th lines of the first fragment I have translated the word "speech" with a prejudice; I have never seen the Assyrian word with this meaning.
Click to enlarge
VIEW OF THE BABIL MOUND AT BABYLON, THE SITE OF THE TEMPLE OF BEL.
The whole account is at present so fragmentary that I think it better to make no detailed comparisons until more of the text is obtained. The various notices which have come down to us seem to me to point to the great pile of Birs Nimrud, near Babylon, as the site of the tower, this opinion is held by Sir Henry Rawlinson and most other authorities of weight. This ruin has been examined
by Sir Henry Rawlinson; details of his operations here are given in "Jour. Asiatic Soc.," vol. xviii., and Rawlinson's "Ancient Monarchies," p. 544. Sir Henry discovered by excavation that the tower consisted of seven stages of brickwork on an earthen
Click to enlarge
TOWER IN STAGES, FROM AN ASSYRIAN BAS-RELIEF.
platform, each stage being of a different colour. The temple was devoted to the seven planets; the height of the earthen platform was not ascertained, the first stage, which was an exact square, was 272 feet each way, and 26 feet high, the bricks blackened with bitumen; this stage is supposed to
have been devoted to the planet Saturn. The second stage was a square of 230 feet, 26 feet high, faced with orange-coloured bricks; supposed to be devoted to Jupiter. The third stage, 188 feet square, and 26 feet high, faced with red bricks, was probably dedicated to Mars. The fourth stage, 146 feet square, and 15 feet high, was probably devoted to the Sun, and is supposed by Sir H. Rawlinson to have been originally plated with gold. The fifth stage is supposed to have been 104, the sixth 62, and the seventh 20 feet square, but the top was too ruinous to decide these measurements. These stages were probably devoted to Venus, Mercury, and the Moon. Each stage of the building was not set in the centre of the stage on which it rested, but was placed 30 feet from the front, and 12 feet from the back. The ruin at present rises 154 feet above the level of the plain, and is the most imposing pile in the whole country. The only other ruin which has any claim to represent the tower is the Babil mound within the enclosure of Babylon, which is the site of the Temple of Bel. I have given views of both ruins as the possible alternative sites.
In the Babylonian and Assyrian sculptures there are occasionally representations of towers similar in style to the supposed Tower of Babel; one of these is given on the stone of Merodach Baladan I., opposite p. 236 of "Assyrian Discoveries;" another occurs on the sculptures at Nineveh, representing the city of Babylon; this tower is probably the Borsippa pile,
which is supposed to represent the Tower of Babel. Birs Nimrud now consists of seven stages, but the top stages were only built by Nebuchadnezzar; before his time it probably presented the appearance shown in the Assyrian sculpture, and in the similar Babylonian representation figured opposite page 236 of "Assyrian Discoveries."